This occupation can be found in production and technical departments of theatres, television, film, dance and fashion productions and cultural organisations. This occupation runs across a range of sectors, where a costume might be worn, such as music events, pop concerts, recitals, choirs, sports events, university events.
The duties of a costume technician can be varied due to the nature of the sector and technicians would need to be able to adapt to the requirements of the setting.
The broad purpose of the occupation is to provide support relating to the care, maintenance and dressing of cast or performers in costumes in a production environment.
The role typically involves the washing, ironing, steaming, repairing, setting, checking and dressing of costumes used on performers. They will work with a variety of other performance related departments and require a high level of understanding of the detail within work documentation to ensure continuity of costume wear - for example costume character profiles and costume plotting.
They make sure the outfits are ready for the actors and performers and help by making simple alterations, if required. Or they might be asked to collect garments and supplies or complete returns.
They are likely to help with setting up workrooms and may help with the ageing and distressing of costumes. They may be given specific responsibility for crowd fittings or packing costumes for overseas shipment to other locations or units.
This is an active role which requires technicians to be flexible and responsive to production or performance needs. For example - fastening intricate costumes, moving backstage during a performance in tight timeframes or moving costumes around.
This role can be found in a range of organisations such as theatres. They support productions such as plays, opera, ballet or musicals that can be long running or short-term productions. They can also be found at large scale events such as opening and closing ceremonies in sports, fashion shows, commercials and film and television.
They will work alongside and interact with a range of production staff such as wardrobe managers, costume supervisors, costume makers, designers, stage managers, stylists, sound departments, wigs, hair and make-up technicians, script supervisors and continuity teams. Performers such as actors, dancers, singers and models are assigned to costume technician by their supervisor to support from a costume or wardrobe perspective before, during and after the performance.
They work in organisations ranging from small to large. The nature of the creative sector means that this can vary considerably as can contract lengths.
They will work under the instruction of a supervisor and are required to follow delegated tasks completing given work independently. They will take responsibility for the costumes of an assigned group of performers or cast and their agreed costumes.
They will work as part of a team but take full responsibility for their assigned tasks. They must take into account deadlines, health and safety and professional ethics and sustainability within a specific environment and be confident in reporting any issues.
Out of hours working and travel may be required as part of the role.
Duty | KSBs |
---|---|
Duty 1 Interpret the brief, production schedule, costume breakdown and plot in relation to costume or wardrobe requirements. |
|
Duty 2 Follow production scheduling to ensure deadlines are met. |
|
Duty 3 Assist with costume continuity, according to context. |
|
Duty 4 Manage the impact on costumes of short notice changes such as cast changes, understudies, new cast members, script changes or environmental changes as instructed by a senior team member. |
|
Duty 5 Check and maintain costumes before, during and after use, noting any required repairs or, alterations needed. |
|
Duty 6 Assist with costume fittings. |
|
Duty 7 Set all areas for costuming of the production such as trucks, dressing rooms, costume tents or quick change areas. |
|
Duty 8 Dress or assist with dressing the cast. |
|
Duty 9 Assist with distribution, coding, logging and running order of costumes for the performance, or show or production. |
|
Duty 10 Inform supervisors about wardrobe consumables and running wardrobe supplies stock levels. Assist in the purchasing and delivery of items if required. |
|
Duty 11 Clean and press costumes, organise dry or wet cleaning as instructed. Liaise with specialist suppliers if required. |
|
Duty 12 Pack and store costumes in accordance with production or performance requirements. |
|
Duty 13 Maintain all relevant paperwork, show notes, costume description lists, check offs, understudy information, costume maintenance information alongside all paperwork required by other departments. For example costume location lists. |
K1: Departmental structure, vision and purpose and how each department interacts with each other.
Back to Duty
K2: The significance and importance of the role within the setting and the importance of working logically with other departments.
Back to Duty
K3: Communication techniques: verbal, written, and digital. How to use industry specific terminology relevant to the role.
Back to Duty
K4: Equality, diversity and inclusion principles and the relevance to the role.
Back to Duty
K5: Data protection laws and confidentiality protocols for the setting and the impact on the role including social media policy.
Back to Duty
K6: Current workplace rules and procedures regarding safeguarding and child protection and how they impact the role.
Back to Duty
K7: Health and Safety legislation including Health and Safety at Work etc Act (HaSaWA), Control of Substances Hazardous to Health (COSHH), personal protective equipment (PPE). Manual handling techniques and company health, safety and security policies.
Back to Duty
K8: The importance of environmental sustainability and departmental processes for working on a production. For example, ‘Theatre Green Book’ for theatre, Albert Carbon Calculator for screen or activities that contribute to the monitoring and reduction of the carbon footprint.
Back to Duty
K9: The requirements and purpose of show or production documentation such as costume breakdown, running notes, running lists, dressing plots, costume description lists.
Back to Duty
K10: Dressing protocols pre, during and post production including the order of processes. For example, make-up, wigs, microphone. The importance of collaborative working processes and interdependency of departments in a performance or production.
Back to Duty
K11: How to identify clothing and other costume elements to meet period or genre requirements for a specific performance or production.
Back to Duty
K12: How to maintain the design of costumes taking into account the fit and the properties of fabrics and materials and how they are used in the context of the performance or production.
Back to Duty
K13: Machine and hand sewing techniques and the importance of this for the authenticity of the costume.
Back to Duty
K14: Laundry techniques and garment care and processes. For example, silk care versus woollen or cotton care. Costume finishing including ironing or steaming, as appropriate.
Back to Duty
K15: Costume packing techniques for storage while costumes are inactive to avoid damage such as moth and mould, adhering to health and safety considerations.
Back to Duty
K16: Workplace practices such as use of IT systems software or record keeping systems relating to costume.
Back to Duty
K17: How photographic records are used in productions and performances.
Back to Duty
K18: Costume or wardrobe departmental administrative requirements, such as alterations records, continuity notes, timesheets and work rotas.
Back to Duty
K19: Costume rigging requirements including the health and safety implications when using these such as specialist quick changes, harnesses or integrated props, appropriate to a specific performance or production.
Back to Duty
S1: Work to the requirements of the organisation’s or production’s data protection policy specifically in respect of confidentiality in relation to artists and the projects such as NDAs (non-disclosure agreements).
Back to Duty
S2: Comply with health, safety and security policies and procedures, including where appropriate selecting, using and wearing the required personal protective equipment.
Back to Duty
S3: Plan for and safely relocate costumes as required ensuring costumes are protected from damage.
Back to Duty
S4: Safely pack and unpack costumes and wardrobe equipment for storage and future use. For example, returning hires ensuring compliance with agreed terms and conditions.
Back to Duty
S5: Organise the keeping of the costumes and equipment in a tidy and secure manner and contribute to good housekeeping.
Back to Duty
S6: Safely operate equipment such as sewing machines, washing machines or steam irons.
Back to Duty
S7: Create and maintain documentation relating to costumes for the purposes of a production. For example, dressing plots, costume descriptions and packing lists, using organisational recording systems, such as IT or paper-based records.
Back to Duty
S8: Set costumes in dressing areas and check off costumes against the costume list.
Back to Duty
S9: Prepare costume changes by pre-setting or laying out for performance.
Back to Duty
S10: Dress and undress performers before, during and after an event, production or scene adhering to health and safety requirements and professional etiquette.
Back to Duty
S11: Tactfully advise cast and performers on how to wear the costumes and when restrictions may need to be in place such as food and drink consumption, delicate fabrics.
Back to Duty
S12: Communicate verbally with colleagues for example actively participating in meetings or rehearsals that impact on costume.
Back to Duty
S13: Respond to short notice variations, such as cast or production staff cover. For example, costume fittings, alterations or covering a plot.
Back to Duty
S14: Ensure the correct and consistent appearance of costumes to meet production specifications including preparing, maintaining and working to dressing notes and original designs.
Back to Duty
S15: Undertake minor alterations and repairs to costumes, shoes and accessories. For example, hand or machine sewing, before, during or after performances.
Back to Duty
S16: Care for costumes and accessories according to the specific design and maintenance requirements of the item.
Back to Duty
S17: Assess and select the correct products, processes and techniques for cleaning and finishing a costume.
Back to Duty
S18: Follow sustainable practices in line with industry standard recommendations. For example, recycling, reusing and repurposing.
Back to Duty
S19: Follow reporting procedures for broken or missing items to allow for replacements or repair.
Back to Duty
S20: Prepare costumes for fittings, check the equipment needed is in the fitting rooms before you start: such as measurement sheet, alterations book, pins, tape measure, scissors, camera.
Back to Duty
S21: Assist with fittings in accordance with fitting room etiquette and procedures.
Back to Duty
S22: Take notes and record accurate measurements as required.
Back to Duty
S23: Assist with post-fitting labelling for remake workrooms or alterations.
Back to Duty
B1: Commitment to maintaining high standards with attention to detail in all tasks.
Back to Duty
B2: Displays respect, tolerance and dignity when working with colleagues and others in line with required equality, diversity and inclusion standards.
Back to Duty
B3: Works calmly under pressure.
Back to Duty
B4: Displays resilience and flexibility when facing challenges. Actively works to find solutions, accepts support and acts on feedback.
Back to Duty
Apprentices without level 2 English and maths will need to achieve this level prior to taking the End-Point Assessment. For those with an education, health and care plan or a legacy statement, the apprenticeship’s English and maths minimum requirement is Entry Level 3. A British Sign Language (BSL) qualification is an alternative to the English qualification for those whose primary language is BSL.
Version | Change detail | Earliest start date | Latest start date |
---|---|---|---|
1.1 | Occupational standard, End-point assessment plan and funding band revised. | 18/10/2023 | Not set |
1.0 | Approved for delivery | 09/11/2020 | 17/10/2023 |
Crown copyright © 2025. You may re-use this information (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. Visit www.nationalarchives.gov.uk/doc/open-government-licence